fpb: (Athena of Pireus)
The drift away from normative lifelong monogamous marriage seems to be as old as the human race. That seems to me to be what Our Lord meant when He said: "Moses told you so [allowing divorce] because of the hardness of your hearts, but from the beginning it was not so." Jesus had asked "What did Moses teach you [about marriage]?" And he had been answered that Moses - the biblical character Moses - had allowed a man to repudiate his wife. But Jesus answered that Moses - the traditional author of the first five books of the Bible - had, before that, taught that God Himself had made men male and female, and had ordered that they shall leave their respective families and become "one flesh". This is what God ordered, "and what God has put together let no man tear asunder."

In other words, the drift from monogamy had taken place even in the history of the Chosen People. Indeed, this was one thing in which Jews, Greeks and Romans were very like each other. It was not that the ideal of lifelong monogamy was not known; in the area I know best, Rome, it was implicit in numerous features of religious and ritual ideas, for instance the prescription that the priest of Jupiter (Flamen Dialis), highest ranking of all priests in Rome, should be married with a single wife who shared his duties, or the fact that the children who assisted in certain important sacrifices should be "patrimi matrimi", that is, having both parents living. This indicates that the condition of being married to the same wife, in an unbroken partnership, and having had children with her, was regarded as a religiously pure and desirable condition. But what was more likely was the life story of Caesar - who had actually briefly been Flamen Dialis at seventeen - who was married four times, and eventually had his much-desired male heir not from his wife but from Cleopatra, who was never married to him - but was the highest-ranking and most powerful monarch at the time. Caesar's enemy Cato the Younger "lent" his second wife Marcia to his friend and ally Hortensius, divorcing her so that Hortensius could marry her, and remarried her, with no problem at all, when Hortensius died! In the Greek world there are several accounts of brothers marrying their own sisters to keep the family patrimony intact, something, indeed, that seems to have become a system among the Ptolemies and the Seleucids, the Greek dynasties that ruled Egypt and Syria after Alexander the Great. Cleopatra herself (Cleopatra VII), Caesar's lover, was the product of more than a dozen generations of married incest. How she felt about that charming family tradition is shown by the fact that her first act as a ruling queen was to have her brother murdered.

All this has one clear, visible and easily identifiable common feature: power. Violations of the natural rule of monogamy always come from displays of power or consideration of political and economic convenience. Poor and middling folks did not take more than one wife, and did not divorce, things that would have cost money.they did not have; at most, they may have wasted a little money on a girlfriend, or a favoured slave, or a prostitute. (And their culture, from King Lemuel to Plautus, always warned them that such women were financially ruinous.) It was the sovereign kings of Egypt or Iran or China who kept harems, as a display of their personal power. It was the importance of holding large inheritances, or even royal power, in a single line, that led that very practical nation, the Greeks, to allow married incest. When Cato "lent" his wife to his friend Hortensius, it was because Hortensius, an older man and the greatest orator in Rome, was an important part of the alliance he was establishing against Caesar. (He would not give him his daughter, as would have been more natural, because she was already married to Caesar's worst single enemy, Bibulus.) Wealth, kingship, political power, and the display that go with them, were the levers that had broken monogamous marriage across the civilized world from Rome to China.

Even in the Christian West, and in spite of Our Lord's clear and revered teaching, the way of political power to get around His prescription was visible, often to the point of hilarity. In Ireland, indeed, polygamy was accepted by the local Church until at least 1200 in theory, and until 1500 and more in practise; in other words, it could not be uprooted until the English had set out to destroy the whole class of Irish lords in earnest. In the Germanic countries and in Italy, they took advantage of the fiction that the kind has two selves - his public and his private one - to invent the "morganatic marriage", a marriage that involved only the king as a private person. So many kings (such as the founder of Italy, Victor Emmanuel II) had two wives, one official and married as a matter of policy, but also meant to give him the heir, and one private, whose children were usually ennobled. In France we reach the height of farce: girlfriend of the King becomes, by the seventeen hundreds, an official post, and great balls are held to find the lucky candidate. As a result, the languid and undersexed King Louis XV chose the beautiful and accomplished Madame Pompadour as he had been expected to, but did little more, all her short life, than have friendly and enjoyable talks with her. It had taken enough out of him to have a son - the future guillotine victim, Louis XVI - with his official wife.

Obviously, nothing is clearer than that divorce, outlawed by the Catholic Church for more than ten centuries, re-entered the Western world thanks to the most brutal exercise of naked political power, that of Henry VIII. The results, for him, were absolutely disastrous; the first symptoms of that mental and physical illness that destroyed his life and ruined his kingdom were when he had Anne Boleyn, the very woman he had "married" after forcing his first wife away from him, murdered under form of law after less than a year of "marriage", out of a mere and monstrous suspicion that she had been having incestuous relationships with her own brother! Nobody ever saw any evidence of this beyond the King's suspicions, and I for one have no doubt whatever that this is nothing more than the paranoid fears of an aging and already very guilty man (he had already murdered his friend Thomas More and dozens of others, and unleashed the monster Thomas Cromwell upon the Church) when he saw his beautiful young "bride" chatting and enjoying herself with her brother - a young lord as handsome and charming as Henry himself had once been, and would never now be again. Mind you, Anne Boleyn was a home-wrecker and a slut, and while I don't say she deserved to be humiliated and murdered under form of law by the man she had seduced, she took her chances when she set her cap at an aging and already married tyrant. Kings are dangerous. But the principle of divorce, born in such elevated and admirable circumstances, remained on the English statute book, migrated to America with the first English settlers just as slavery did, was slowly broadened, and eventually spread across the West. And we are still lucky: if the Lutheran Philip of Hesse had successfully managed what he had plotted in secret together with Luther and seven of Luther's chief followers, Europe might have been saddled not only with divorce but with polygamy. But that proved a bridge too far, even for them.

Feminists ought to oppose divorce, polygamy and all other marriage "variations", because they are historically always born as displays of male power and that is what they are nine times out of ten in reality. However, I do not agree with what seems to be the implication here, that the degeneration of ordinary marriage has anything to do with the invention of "gay marriage". I think the issue there is quite different. Caesar may have married four wives, but did not consider marrying four husbands. Even in the most degenerate environments, men saw a fundamental difference between attachments between or within the sexes,and never thought of granting the status of marriage to the others. Juvenal makes a savage joke out of the very notion that a man might marry another.

No, the fact is that a new, and bad, doctrine has been introduced. It had, originally, nothing to do with sexuality at all. You may find it in a famous play, "Henry IV" by Pirandello, in which the protagonist manages to force the people around him to act as though he were the emperor Henry IV (a historical figure from the Middle Ages). Its basic doctrine is the omnipotence of the will, the notion that will forms the identity of a man independently of his/her birth, characteristics, connections. or anything else. This, it may surprise you, was the central doctrine of Fascism, I mean the real thing, the doctrine formulated by Benito Mussolini after he abandoned Socialism in the wake of World War One. Not surprisingly (although his admirers tend not to discuss the matter) Pirandello himself was a black-as-coal Fascist, a favourite of Mussolini's, and the head of Mussolini's Academy of Italy. The political relevance was that Italian Fascism promised Italy, a middling power in the shade of mightier neighbours, the ability to change itself into the Roman Empire, merely by concentrated will. Willpower was the god of the Fascists.

Having failed politically in the most extreme manner (and having shown for all the world to see that Willpower was exactly the quality which Mussolini most lacked), the doctrine of the omnipotence of the will and the malleability of the self migrated, of course, to the universities, especially in the USA. That is where you got people like the horrible Professor John Money applying them to real human beings in the context of sex. The rest you know. But the point is that, whatever evil we may have done or accepted in the context of normal marriage, "gay marriage" and the associated evils of gender ideology are something new. The drift away from the norm of one man, one woman, for life, is ancient, universal, and - taking the word to refer to fallen human nature - natural. The doctrine of the subservience of self and gender to will, on the other hand, is a wholly modern evil. It would be disastrous whether or not the situation of marriage were bad, just as it was disastrous - look at what it did to my country - when it had not yet been associated with gender and sex at all.

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An English translation of Luigi Pirandello's three most famous plays, including "Henry IV"; http://www.gutenberg.org/files/42148/42148-h/42148-h.htm
fpb: (Default)
Some of you may remember what I said about Hollywood's attitude to sex, which is a part of the ideology and structure of that particular social group. I was reminded of it when reading a description of an astonishingly unsatisfactory movie: Rumor Has It, a PG-13 item featuring two specialists in failed projects, Kevin Costner and Jennifer Aniston. (Honestly, when was the last time that either of them had a real hit?) The plot? Jennifer Aniston is engaged but has cold feet. She wonders whether her father is really her father, since her mother had had sex with the Kevin Costner character 9 months before her birth. And in a development that would count as stupendously gratuitous and pandering, were it not that it is an evident attempt to raise the ghost of sixties classic The Graduate, he has had sex with Aniston's mother's mother in his time, too.

The attempt to raise the ghost of Mike Nichols' masterpiece is clear, committed, and entirely hopeless. What kills it stone dead, of course, is the evidence that director, scriptwriter and actors absolutely do not understand what The Graduate was about. Start with the choice of romantic hero: Dustin Hoffman, is a bumbling, barely formed young man who blunders into Mrs.Robinson's bed pretty much because he is told to, and is surrounded by a mass of complete hypocrites, of which Mr. and Mrs.Robinson are the worst. The moral of the story is that his final elopement with the daughter is pretty much the only thing he does right after allowing himself to be led up and down and all around and humiliated and as near as possible ruined by a gaggle of self-regarding, hollow suburbanites whose vanity takes the place of healthy self-respect. When Dustin Hoffman runs away with Katharine Ross, he is regaining his own individuality, self-respect, even liberty. Although the movie ends with a realistically doubtful tone, as the lovebirds look on a whole crowd of old folks and wonder whether their own life will be like that, nevertheless the clear implication is that they have committed themselves to each other for life.

Now see how every one of these premises is perverted by Rumor has it. First, in place of bumbling, big-nosed Hoffman, we have handsome Kevin Costner - who is super-rich too, a billionaire, well above the modest bourgeois affluence of The Graduate's suburbia, and has made his money in the ultra-cool world of Silicon Valley. Second, both his relationships have been passing fancies. Then we have it laid on us that this super-successful capitalist is in awe of Che Guevara - another attempt to reconnect to the sixties and get them wrong. And there is the fact that the odious two-faced witch Mrs. Robinson, a monster - and a very credible monster - in the original movie, is played by Shirley MacLaine as a loveable old eccentric, and everything she has done is justified; which completely overturns the point of The Graduate. Final cherry on the cake, Costner is sterile and cannot be Anniston's father: a development not only typical of this film's total lack of understanding of The Graduate, but also suggestive of its own spiritual death. The story in The Graduate was that of a couple of young people deciding, in the face of all the world, to face the responsibilities of life together, to marry and presumably have babies; Rumor has it informs us that said commitment did not exist, could not exist, and that the romantic protagonist is incapable of procreation. At least, he tells Anniston, his possible daughter, so.

Next scene: they have sex. Climax of the movie. Anniston's big romantic love moment. Big satisfaction. Much better than her pointless fiance' Mark Ruffalo. Are we impressed? We are supposed to be impressed.

The overtones of spiritual incest - Anniston has spent a long time wondering whether Costner is her physical father - are scarcely more disgusting than the clear implication that male sterility is an advantage, that allows the handsome romantic lead to have sex with his a woman young enough to be his daughter and feel no regret. Because, of course, if you do not put your partner in danger of having babies (such an unwelcome thing, babies), then sex does not count; or rather, is only and wholly positive. We need not bother that this overwhelming Lothario Costner has had sex with grandma, mom and daughter, since daughter Anniston finds the whole thing so very romantic. And this, if you please, is a PG-13. "In praise of having no balls." (Incidentally, Anniston's real father character did once kick the Costner character between the legs in high school - a thought that has a somewhat satisfying quality.)

As one critic pointed out, the film - which is generally and shamelessly made of quotations - has a Quentin Tarantino moment when a few peripheral characters begin discussing movies, classic movies--Chinatown, Casablanca, the Graduate. One asks, "why don't movies like this get made anymore?" However, when Tarantino pulled this sort of stunt, he was much too clever to do it in such a way as to expose the breathtaking emptiness of his movies.

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